Aquarium Drunkard Presents: Fables of the Reconstruction

Tuesday, June 11, 2013
Aquarium Drunkard Presents: Fables of the Reconstruction

As the last remnants of Summer began to burn off throughout the length of September 2010, the stage was set for the reissue of R.E.M.’s third LP, 1985′s Fables of The Reconstruction. If context is indeed everything, then Fables is woolen, wood-smoke and that unmistakable crisping of Autumn air.

Over Twenty five years after its initial release, Fables continues to inhabit a curious place in the R.E.M. discography. Perhaps ironically, as it was recorded in the UK, the LP feels the most inherently “Southern” of any of the groups output before or since. The cadence and inflection in Stipe’s vocals, the nuanced instrumentation, and the lyrical content—right down to its very title—all inhabit a space drifting in limbo somewhere between Wise Blood and Sling Blade. This is non-linear, stream of consciousness, storytelling and Fables is a tale told of a South that in many ways no longer exists…if it ever did at all.

The album's cast of characters range from Stipe’s own psyche to the eccentric poets and artists that peppered the band’s time spent in the deep South, most notably Howard Finster. We find R.E.M. at a stage in their career in which they had been writing, recording and, very significantly, touring at a non-stop pace since the release of the Chronic Town ep. It is the touring, the time spent outside of Athens, that ostensibly colors Fables worldview, for when we leave home we tend to, if not romanticize it, certainly think about it. Subconsciously or not Fables is, both thematically and aesthetically, a reflection of where the band came from, warts and all.

The first Fables reissue I purchased of (the 1992 IRS Vintage Years edition) bookended the LP with five b-sides (three studio tracks and two live) all of which were later comped. The 2010 “deluxe reissue” is dolled up in a much more grand fashion packaged in a cardboard box with era-appropriate photos and notes by Peter Buck. Disc two houses the entirety of the Athens Demos including “Throw Those Trolls Away,” a track which is seeing the light of day for the first time. These demos present the songs on Fables in their embryonic form just prior to the London sessions that would yield the forthcoming LP.

While certainly not their most commercially or critically adored, Fables of the Reconstruction continues to remain one of my favorite albums by the band. The vibe is weird, dark and murky in a gothic sense R.E.M. would soon move away from forever. It is also the first album of theirs I had on vinyl; scored twenty years ago as a teenager in Atlanta at a garage sale for a quarter. Hearing this strange, spooky, Americana spinning on those etched grooves, by a band 60 miles north of my hometown, made me the fan I am today. And more.


Based in Los Angeles, Justin Gage is the founder of the long-running, eclectic music blog Aquarium Drunkard. In addition to the blog you can catch his weekly radio show, Fridays, on SIRIUS XMU satellite radio -- noon-2pm EST.

Gage is also the founder of Autumn Tone Records and works as a music consultant and supervisor.

twitter: @aquadrunkard